Showing posts with label Berthe Hemensley. Show all posts
Showing posts with label Berthe Hemensley. Show all posts

Saturday, November 2, 2013

I.M. DEREK BEAN, 1924-2013

Kris Hemensley

*

in in-between world
toes point to the sun
as head is drawn to the sea-bed

off Elwood Beach
I float in a dream
of two families of uncles
inspired by the sight of
three strolling Mediterranean men
in togs without bellies
tanned brown with glinting silver hair
profuse on chest sparse on top
clad in their natures like shimmering fish

another film rewinds then
of English summer-holiday
where ever-the-world's host my father
invites his brothers for a picnic
on the beach and whatever
parents kids nephews uncles play
postponing boredom sadness end-of-holiday

like frisky bachelors
they fetch & carry for my mother
joke swim produce sixpences for ice-creams
smoke cigarettes languorous as the officers
they'd endured all their war years in North Africa

looking back at the shore
the purpose of the world seems first & last
appeasement of the senses

self & world-knowledge
gained by simply gliding body
through water or air enveloped in sunlight
anticipating the trajectories of bathers & walkers
merging with or diverging from them
as if we're all summer's melting marionettes
absolved from guilt excused consequences

but fifty years back
i was sacked for acceding to impulse
an hilarious image ballooned in my mind
demanding an hilarious act to fulfill it

i raced the yards from soft sand
to the puddled ribbed flat
exposed by outgoing tide
where my mother stood girlishly entertaining
my father & uncles
i slapped her blooming blue-costumed behind
so perfectly my right-hand stung and the
whack's echo
startled seagulls and her cry was a pure pain
encapsulating my little devil's jubilation

i ran on & on
and would have cartwheeled if i'd known how
expecting our party to laugh & applaud

instead one uncle chased me down
lectured me like a policeman
marched me back to my tearful mother
& her angry retinue

i prickled red with embarrassment
was made to stew
until awarded the cold blue mercy of banishment

in in-between world
there is no nymph called Thetis
no son Achilles dipped by the heel
into magic waters

there's only ever sea & sea
no other mother's bequest
could so nearly offer immortality

those three manicured Mediterranean men
those look-alikes aliases surrogates
those also-known-as Egyptian uncles
approach the water dainty as penguins
upon the ice-flow
attracted by the laziness of my swim
which tempts their machismo

suddenly one charges & plunges in
calling his partners to join him
then my dream pops into place
and once more real world roars around me


2003
[from DEAR TAKAMURA, 2002-03.
The English uncles are Derek & Dennis Bean; the Egyptian uncles, Gaby & Cesar Tawa. It was the gallant Uncle Derek who ran me down]



oOo

Kris Hemensley

What curious symmetry brings bad news from either side of the family within an hour  of each other? English uncle, Egyptian cousin --though, as my brother elaborates, Pierre was only a couple of years younger than our mother, his aunt, who better related to him as her cousin.

An old man, tanned Mediterranean to oblige this recitation, grey hair, open necked white shirt, brown jacket & trousers, deliberates for half a minute before continuing his shuffle along the pavement. I'm reminded of my cousin but the dawdler's probably a closer resemblance to my Uncle Cesar, thirty years passed.

After my son died, his doppelgangers appeared and for several years following --jumping out of the pages of the music papers, occasionally & startlingly in the flesh. The hesitating Mediterranean is my cousin Pierre's first posthumous herald.

In England, Uncle Derek is apparently dying --the nuance or substance of the epithet 'terminal'. The age he's achieved doesn't diminish one's shock. He's always been a figure of energy & creativity. Walking, climbing, making or teaching music, driving, travelling, socialising --Derek appeared to guarantee the promise of ebullient longevity on our paternal side.

Suing for immortality was Dad's conceit, somehow hobbled by abstraction & timidity; fortunately for Derek it's his character. Perhaps because he never harped upon age, Derek's ageless. The man of wit we've always known --at home with himself --identical with his language --pilgrim's miles in his legs --newspaper beneath arm --tree, shrub or flower in his eye --a piano in his head.


4/4/13
[from DELPHI]



oOo




Kris Hemensley JOURNAL + Notebook
23/24 April, '13

[re Ringwood/Fordingbridge visit]

(…) Big hiccup at Ringwood --I realised too late after alighting from the National Express coach & mooching about in search of Pam, that I wasn't supposed to be meeting her in Ringwood at all but Fordingbridge, a short hop away on another bus. I'd attempted several calls to Bernard but for once he wasn't home --I thought he'd be able to phone Pam & tell her I was still in Ringwood. However once I did realise the mistake I caught next local bus to Fordingbridge! And there she was, at the bus-stop, waiting for me.
We drove fast, first leg to a local store to pick up newspaper for Derek & beer & cheese for lunch, & then on to their home.

Uncle Derek in red checked shirt (or pyjama top?), fawn slacks, blanket around middle down to his feet --blue socks, one of which loosened & after an hour or so Pam pulled it up for him.
Uncle Derek's familiar smile & soft, smooth-skin handshake, more hand hold than grip.
"I bring greetings from [siblings] Bernard & Monique & Robin!" Later on I repeat Monique's best wishes. Derek says, And mine to her.
How are you? I ask --Very well, & yourself?
He alternates attention between the television & The Times crossword. Pam tells him it was my idea to get the paper (""you've got Kris to thank for it"). Derek smiles & keeps working. He's watching Question Time from Parliament. Looks fascinating. I asked him what he thought of the prime minister, David Cameron. He ponders before replying. I think he's doing a pretty good job, he says.
Was the answer contained or encouraged in the question? Pam told me she's learned to conduct just that kind of conversation with him --confusion is not what she wants to foment.
Derek enjoyed (or at least he chuckled) when I referred to Uncle Dennis's appreciation of Ray Monk's biography Wittgenstein. Oh yes, Derek said, Dennis did like Wittgenstein.
Pam had brought out ham for our lunch, the traditional English fare. When I declined she laughed it off. Salad & a chunk of cheese will be fine, I said. I don't know how much a chunk is, she said. Lunch was good, accompanied by several glasses of ale.
Pam showed me WW2 snaps of Derek --Rodger [Derek's son, my cousin] had brought them to show her and in the 45 minutes before he departed for the airport & the flight back to Australia she had them copied. Northern Germany, Hamburg for example. Very interesting was a Forces bulletin advertising a piano recital to be given by Derek Bean --Schubert & Schumann. Signalman Derek Bean.
Pam described Derek watching the broadcast of Mrs Thatcher's state funeral, and how he was impressed by the choir. I sang in St Paul's Cathedral, he said. Hmm. When footage of the Falklands War was shown he remarked he'd fought in that war. You weren't in the Falklands, derek, she laughed. Yes I was, he insisted. So what did you do in the Falklands then? I carried a rifle, he said.
Signalman Derek Bean, holding his rifle, World War 1, World War 2, the Falklands...
Uncle Derek, indomitable, incorrigible…


oOo


"TWO HEARTS UNITED"


Pam Adams :
Email / July 25, '13


Dear Kris,

Preparations for Derek's service on the 31st... I am typing up the order of the service for the printer and have reached an impasse - I am wondering if you can make a beautiful translation of this - am I correct in thinking you know German? - I think I am...
            
Der Abend dammert, das Mondlicht scheint,
              Da sind zwei Herzen in Liebe vereint,
              Und halten sich selig umfangen. 

                                                                          Sternau

This excerpt was included in the score by Brahms to accompany or throw light (mondlicht?) on the second movement of his Sonata in f minor, which Derek loved and played magnificently, and which will be played in his service by Gwenneth Pryor.  Derek loved languages, Derek loved German literature, and I just thought it would be nice to include the excerpt in the order of service, that he would appreciate that, but I would like to add a translation as well.  I can make out the words, but I can't put them beautifully - help?

               Dawn of the evening, the moonlight glistens (?), the moon shines (I'm no good at this!)
               Two hearts united in love (
there are two hearts?)
                stand in blessed embrace 
  HELP!!!  (stand?  stop? stay? Aaaargh!)


*

Kris Hemensley :
Email / 26 July, '13

Hi Pam, I sent two urgent messages to 'my people' with German language : poets Cecilia White & Petra White. Cecilia, Sydney based poet, often in Europe, has responded with this 'translation' which she says is also an interpretation. She thinks it might have the musical feel you need.

Evening arrives softly
Moonlight appearing
In love, two hearts united
Holding each other in blessed embrace



I hope this either assists you in yr translation or does the job entirely...
All best, in haste, Kris


*


Pam Adams:
Email/  27 July, '13

Hello Kris,

Thank you so much for throwing yourself into the task at hand!  Urgent!  I like it.  And thank your people!  Amazingly, I needn't have worried, the printer had a translation in her vast store of everything she's ever printed, and apparently that excerpt has come up on many an occasion!  Here's what she printed and I said, okay -

Through evening's shade,
The pale moon gleams
While rapt in love's ecstatic dreams
Two hearts are fondly beating.


Okay.  Somebody took tremendous liberties, but whatever.... gleams and dreams rhyme so okay.

The Order of Service looks good, I'm happy.  Now I have the weekend to do the outer cover.
Found some very interesting things!  A box of pictures - one of you and Derek - do you have a copy of it? from his visit [to Melbourne] at Christmastime 1997, I believe, in your shop.  Will send that if you don't have it.  (There were two copies of most of the pictures in that set, but only one of that photo, so you may already have it.)  Also the sweetest picture - which will go on the inside back cover, along with a couple of pictures of young Derek, soldier - of Derek crouching opposite, and feeding/petting a baby kangaroo.  Sweet.  Also found a letter I had written him while he was in Australia, detailing what he was missing in a particular class at Morley College.  He was class secretary, and in his absence it was quite chaotic - and someone turned to me and asked when Derek would be back.  "Morley doesn't stand if Derek isn't here," he said.  "It's like the ravens in the Tower."

*

Petra White :
Email, July 28, '13

Evening grows dark, the moonlight shines, two hearts are made one in love, holding each other in happiness.


oOo




Wednesday, April 25, 2007

TIM HEMENSLEY (b,1971-d,2003) ARCHIVE

Kris Hemensley's Eulogy for Tim including some messages from family & friends, Springvale Crematorium, July 30, 2003

*

Tim's paternal grandmother, Tina [Berthe] Hemensley [nee Tawa], on behalf of my father, Alan, & herself: "Dieu te benisse a la fleur de l'age mon cheri" trsl "God bless you in the flower of his life"

*

Tim's uncle Bernard [who'd enjoyed Tim's visit to Dorset,UK a few years ago] : "The little bird [in his condolence card] sang to me of Tim, his little spirit... He lived his life on his own terms & with none, or few, concessions. Buddhist terminology comes to mind -- 'no birth, no death, no coming, no going, not the same, not different, no being, no non-being.' Love, Bernard"

*

From Roman Tucker, in London at the moment with his band [Rocket Science] : "I feel enlightened to have known him & proud that I was his longest friend.
I watched him with admiring eyes as he put comic plays together or wrote in his fanzine PUNK PURGE (TEDDY BOY TALES), selling it on the street corner for 20cents.
I loved his room, it was wild, with pictures & junk, horror toys, books & cartoon he had created. When Tim asked me to join Royal Flush I was ecstatic.
Playing gigs in adult bars, we were well read little children, singing about concepts & experiences that lay ahead... The foundations were set & for both of us there was no looking back.
Long live Royal Flush, God, Bored & The Powder Monkeys -- Long live Tim Hemensley."

*

From Helen Gardener this quotation from John Donne :

"We your sad glad
friends all bear a
part of grief"


*


Kris Hemensley's Eulogy for Tim :

I am speaking to you, this afternoon, aware of so many contradictions...
We're here to farewell Tim who has died.
He is dead -- And that means forever.
For all of us it means we will grow old, n'sh'allah, without our darling Tim, our grandson, our nephew, our cousin, our son, our brother, our dear,dear friend.
And this is shocking.
And yet, it isn't a shock.
It is unbelievable, yet it is awfully believable.
Let me say then, as gently as I can, that whilst it is wonderful to Retta & I that you are all here --all of our families --Garveys, Kennys, O'Briens, Massaraneys, & in spirit Hemensleys, Tawas --all of our friends & colleagues from Tim's schooldays, from the kindergarten, the bookshop, from the literary world and, crucially, from the world of rock & roll music and performance --whilst this is overwhelmingly beautiful & comforting, it's surely a tragedy that we're all here at all.
We are here to celebrate Tim, and to mourn him.
But we were happy to celebrate him alive. We would so gladly have him back... to an anonymous life...
Tim was devoted to his art and life in rock & roll. It was a practice and a culture. In that sense he was truly a rock & roll hero.
To be so committed can make one a martyr to that practice.
But Tim is a hero & martyr, if you like, within the art & life of rock & roll music and not of or to heroin.
He is not a heroin hero.
Heroin was a hoop he apparently enthusiastically leapt through.
He didnt ultimately complete that leap into further adventures and the marvellous discoveries of any simple life.
Addiction put him on trial day & night, it tested his friendships, it (in the phrase of the poet Philip Larkin, writing of parents) it fucked him up.
There is a crucial discussion we all of us have --it is about quality & quantity, quality versus quantity.
I thank Justin Negler for describing to me so succinctly the other day how the dynamo that Tim was at his best --the informed, energetic, hilarious, brilliant young man --was the product of all of his activities, all of his involvements, all of his commitments including heroin. The life measured as quality is indivisible -- Indeed--
And I also have subscribed to that idea of quality being more important than quantity-- Except that I have enjoyed the slow evolution of my life in which the idea of longevity seems equally rewarding--
I believe in quality but I like some quantity too--
I dont believe Tim wanted to die-- He had so much more to do--
Retta had an enormous involvement in his music life -- You were a wonderful ally Retta --His dancing, his ryhthm has everything to do with you-- As you have reminded us, Rett, you sang The Trogs' Wild Thing as you were giving birth to Tim, in Southampton General Hospital, in England on that wintery, November 23rd, 1971--
I was on the edge of his professional music in person though in my mind there too--
But I looked forward to an older Tim --or the same young Tim, if you like --to be with me as I grew older-- I looked forward to a continuation and development of our conversation. I confess that I feel cheated of that prospect.
I liked Tim's mind, his critical & conceptual ability, and I knew he would inevitably return to education formally or, like I did, off his own bat. I liked his imagination-- I believed, as he did too, that he would write prose-fiction, prose-essays one day --that the writing he did in rock & roll, both as lyric & review, would lead to story-writing --even to films, his lifelong love.
I liked his humour, his mimicry, his wicked parodies --
I was a willing accomplice in Tim & Retta's sending-up of my seeming elitism & pomposity, my thick-headedness before a film's story-line not to mention characters, my putting-my-foot-in-it in umpteen social occasions --I played along & fell about with them in helpless laughter --

When he was 9 or 10 he busked outside of Myers, a spikey-top, singing Jonathon Richmond's Roadrunner, accompanying himself on tambourine. What else did he have to prove in terms of courage? At the 2nd Surrealist Festival in about 1981, he read his epic poem The Punk Poema (which included the line "Fascism is boring! Long live art!") against a room of heckling plus amazed laughter and eventually great applause!
I was at Retta's side when Tim was born --look! I shouted at her through her shot of pethadine --look! the baby's coming out! When the baby didnt immediately respond to the midwife's little smack Retta thought he was dead! Is he dead? No, I said-- of course not-- myself waiting for that miraculous cry--
Retta & I found Tim in the outside loo of our small backyard-garden on Monday the 21st-- 10 days ago-- He'd dropped from the toilet seat onto the floor, head into the base of the door, legs crazy around him-- Rett applied mouth to mouth as I ran to phone O.O.O. --
The paramedics arrived & dragged him into the night garden beside the leafless apple tree & the dug-over tomato patch... They worked on him in torch-light --like a battle scene-- for 45 minutes but couldnt bring him back.
Rett & I have literally seen Tim into life and out of it, into his death...


We are heavy-hearted, sad but not bitter--
He lived his own life, he died as a consequence of his own lifestyle--
We love him, we're proud of him, we will miss him forever even as we understand that the world is composed of who we call the living & who we call the dead.

*


Poem by Tim [notebook, 02/03?]

Every Monday nite i watch
"the Sopranos";
Every Monday nite,
i eat, & eat & eat.

i eat more more -- bread, cream-cheese portions,
salami, turkey-breast, pretzels,
fried eggs, toasted cheese sandwiches --
on a Monday nite whilst watching
"the Sopranos"
than i ate on every
Monday nite last year put together;
consequently, it could be said
i am putting on a little weight
at this point in time.

when i see the ease with which
Tony Soprano glides thru each episode
munching, chewing & gnawing all manner of food stuff
with undisguised relish however,
i can honestly say that this development
is no great cause of concern to me.


*

Poem by Kris Hemensley


TELL ALL

Tell all
tell everything. Dont fling love
back at me. Dont ditch it love
dont give it all away.

Tell all
this dying day lest we die out
before everything's spelled out.
Spill it out. Love enough

to snuff out deathly
cutting-off. Tell all
without fear of tax or toll.
Love more than there is

so that more than there is
can grow. Tell all
against the threat of all hell
breaking over love's only child

whose telling all
even softens death's absolute fall.
Tell its unloveliest tale until
it calls love of life its own.


for Tim
[19/11/97]


*

Retta Hemensley read Anna Bronte's poem, Farewell :

"Farewell to thee! But not farewell
To all my fondest thoughts of thee;
Within my heart they still shall dwell
And they shall cheer and comfort me.

Life seems more sweet that thou didst live
And men more true that thou were one;
Nothing is lost that thou didst give;
Nothing destroyed that thou hast done."


*

-------------------------------------------

[Other contributions from Tim's funeral service to be added as they come to hand]

April 25th (Anzac Day), 2007